Screwball melodrama
Dec. 20th, 2006 05:33 pmIn "An Intimate Interview with Pedro Almodóvar" -- one of the extras on the DVD of All About My Mother (Todo sobre mi madre, 1999) -- Almodóvar uses the phrase "screwball drama" to describe the movies in his latest, more serious phase, which began with The Flower of My Secret (La flor de mi secreto, 1995). That's a great phrase, but I like "screwball melodrama" even better, because it gets at the artificiality and extremity of the stories. These are soap operas with all their atrocious coincidences and flamboyant, glamorous suffering grounded in an enormous earthy compassion and loving satire. This is soap opera played for hilarious laughs, except you're still crying simultaneously. Unlikely trauma is piled on top of unimaginable loss on top of unbearable (and perversely funny) humiliation, and the emotional effect is so dizzying that you just have to give yourself up to it. Laughing and crying, it's all release, and afterward you feel like maybe you don't have it so bad after all.
Maybe "screwball soap opera" is an even better phrase.
Maybe "screwball soap opera" is an even better phrase.