Jan. 9th, 2015

randy_byers: (2009-05-10)
So I saw Tim Burton's Big Eyes a week ago, and it piqued my interest in Margaret Keane's artwork. I've seemingly been aware of Keane's big eyed waifs my whole life, and I've always had her in the kitsch category. It's interesting to discover that she has painted in a more modernistic style as well (the movie hints at this), and the first four paintings below fit that mode. The fifth is a big eyed child, but from her later career when she was painting happier scenes rather than the melancholy ones she is perhaps more famous for. I like the exuberant colors and composition. That one is called "Who Says Animals Can't Fly?" I haven't been able to find titles for the other four.

In poking around the web I've seen a number of other remarkable paintings that make me think there's a lot more to her artwork than I imagined. But those big eyed waifs are still kitsch.

Margaret Keane Three Models

Margaret Keane Sunflowers 1963

Margaret Keane Harlequins

Margaret Keane Faces

Margaret Keane Who Says Animals Can't Fly

QOTD

Jan. 9th, 2015 08:20 pm
randy_byers: (cap)
It was a serious constructive fanzine that was notable mostly for Walter Breen's bicycling column, "The Pedal File," and Harlan Ellison's fan advice column, "No, Fuck You!" (Dan Steffan, "The Truth Behind the Cover: Who Are Those Guys, Dammit?" in Trap Door 31)

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