Become ocean
Oct. 25th, 2014 10:58 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

To quote my post about the CD on Facebook: "I've been obsessing on the Seattle Symphony's new CD of John Luther Adams' brilliant BECOME OCEAN. The reviewer at SF Gate dismisses the music as 'a mashup of its obvious sources: the prelude to Wagner’s “Das Rheingold,” Debussy’s “La Mer” and the massive sound banks and arpeggios of early Philip Glass.' As if that's a bad thing! It's also a giant palindrome and produces a feeling of endless tidal returning."
I hemmed and hawed over whether to describe it as "tidal returning" or "tidal churning," because both seemed apt.
It's perhaps worth remembering here that my exploration of 20th and 21st classical music was inspired by the operas of Daniel Catán, who died in 2011. I was looking for more music that had that organic, unfurling, flowing quality. I've found some, too, both in older music like Ravel's and in newer stuff like Frances White's. This piece by JLA is exactly the kind of thing I was looking for. It really speaks to me, and I've been listening to it (and some other pieces by JLA) almost constantly since I started listening to that WQXR stream back in May. It sounds nothing like Catán, although both owe a debt to Debussy. Water music, but different waters -- perhaps the Amazon vs. the North Pacific. It's immersive music for me. I can drown in it.
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Date: 2014-10-25 07:05 pm (UTC)"organic, unfurling, flowing quality" - I forget what we've discussed in the past, but have you tried Wagner? Richard Strauss tone poems? And, above all, Liszt?
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Date: 2014-10-25 07:11 pm (UTC)no subject
Date: 2014-10-26 01:48 pm (UTC)I have few resources here, without traveling or buying more CD's.
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Date: 2014-10-26 03:00 pm (UTC)Become ocean at sea!
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Date: 2014-10-26 03:50 pm (UTC)I've already worn long underwear a few days.
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Date: 2014-10-26 04:24 pm (UTC)no subject
Date: 2014-10-26 05:27 pm (UTC)