Life by Gwyneth Jones
Jul. 3rd, 2017 09:38 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Suffice it to say that I liked it a lot better than Bold As Love. In the meantime I also realized that one of the things that makes her an heir to Joanna Russ is her pessimism about the battle between the sexes and the ability of feminism to solve the problem. Life is a very complex meditation on this question. It's a story of gender and genetics, which poses the idea that genetics is what makes the difference an unbridgeable breech. She then imagines a genetic solution to this problem that is probably beyond my ability to describe, but basically it's a non-Darwinian way for genes to be selected. The upshot of this is that genetic sexes (based on Y and X chromosomes)seem to be on their way out evolutionarily.
It's also a novel about life as she is lived, following a group of friends who meet at university, fall in and out of love, and fall in and out of contact later in life. The protagonist, Anna, is a geneticist who discovers the change in the X/Y exchange and spends her life trying to prove it to a disdainful scientific establishment, where her gender is held against her. Spence is her husband -- the apparently ideal house husband and lover -- who still manages to interfere with her research with his emotional neediness. In many ways their frenemy, Ramone, is the most interesting character -- a feminist who despises women and becomes a media star as a pundit, along with her mentor, the mystical old schizophrenic Lavinia. Jones' novels are always sprawling, contradictory affairs, full of crisis and pain, and Life is no exception. Two of the female characters are raped under circumstances in which they are unable to report it without unacceptable repercussions, there's also a heartbreaking miscarriage, and Anna's career seems to be a long series of firings by petty assholes.
What kept me going through all the carnage was the fascinating characters grappling with their messy lives. In her note about the book "Life: an Explanation" Jones writes, "The story of Anna Senoz is not my life story (the scruffy and pugnacious Ramone, Anna's shadow girl, is more like me, if I could imagine myself a feminist media star). But in many ways it's the story of my life as a writer: the experiences that shaped me, the changes that swept over my world, the ideas that made me write the novels I've written, the people who have inspired me; the future I imagine." There's a personal, heartfelt, career-summarizing quality to Life that's refreshing. The science fictional content is relatively small scale, but it has a lot of layers, and I appreciate how Jones confronts the limitations of feminism while tackling the underlying problem with a grand SF concept that ultimately completely reimagines what it means to be male or female.