randy_byers: (2009-05-10)
Berlin -– it was like Facebook told everyone between 20 and 30 in the whole world to go there and party right now. You walk 5 minutes and you’ve heard 20 languages from every continent. (Actually, there had been a Facebook pillow fight on Potsdamer Platz Sat. night.) The Karneval der Kulturen was going on and it was incredible —- with a loooong parade of things like 100 Bolivian women in bowlers and little else. Just put any possible group into Cabaret any you’ve got it. And sidewalks backed 10 deep with spectators plus a street fair with thrice the density of Bumbershoot.

-- e-mail from a friend who's just back from Germany (Dresden, Leipzig, Berlin)

Gotta get back to Berlin one of these days!
randy_byers: (santa)
Over at [livejournal.com profile] theinferior4, Lucius Shepard recently posted ten excellent capsule stories of exotic Christmases past -- although I guess jail isn't an exotic location for everybody. It got me thinking about my own Xmases in foreign lands. There are only three I can remember, not counting the four we spent on Yap when we were living out there (besides which I don't remember those).

1) 1989, Schwäbisch Hall



In 1989 I was in the small town of Schwäbisch Hall in southern Germany. I was visiting my long distance girlfriend, Nahid, whom I had met in May of that year when she and a friend came through Seattle at the end of a cross country trip around the US that had started in San Francisco. We stayed at her mother's apartment in Schwäbisch Hall for a week, then headed up to Berlin, where Nahid was going to the Freie Universität. Nahid's mom, Frau K., had a Hungarian weightlifter boyfriend named Laszlo. Laszlo, who didn't speak any English, was very friendly to me and shared bottles of the local beer, which he thought (and I agreed) was quite good. (When Nahid got back into contact with me a couple of years ago, she said her mom and Laszlo were still together, twenty years later, which made me happy.) I don't remember much about Xmas itself, except that Frau K. talked me into calling home, and my dad answered the phone. I told him he'd love the spätzle, which is a German noodle dish. We'd had Frau K's homemade spätzle that evening, and I was an instant convert.

The other thing I remember about that visit to Schwäbisch Hall was that Nahid took me to a party. Was it on Xmas itself? The weather was freezing, and the party was a surreal "beach party" with sand and fake palm trees in a hall or gymnasium of some kind. I had one of those lonely-in-a-crowd times, since I didn't know anybody (including Nahid, really), didn't speak the language, and was at least nine years older than anybody else there. I mostly drank beer and played wallflower, although there was at least one awkward conversation with one of Nahid's friends. Nahid asked me to drive home, because she'd been drinking too and the roads were icy. Great! The first time I'd ever driven in Europe. Better than that, we got stopped at a roadblock by the cops. Nahid did all the talking, and somehow she talked us through it. Maybe she explained that I was a poor, innocent foreigner who was driving her home because she was tipsy, I really have no idea.

Two more under the cut )
randy_byers: (Default)
The Paramount theater is in the midst of a three-film series of silent German films from 1929. I highly recommend the third film in the series, Asphalt, which is showing next Monday, the 29th. It's a simple, even conventional, story about a naive traffic cop (played by the lead from Metropolis, Gustav Fröhlich, except looking almost butch in gleaming leather boots) who is seduced by an aggressively sexual jewel thief played by Betty Amann. Other than Amann's fascinating character -- quite different from the aloof femme fatales of the era played by Greta Garbo and Marlene Dietrich -- the main attraction is the high-Ufa style of the production. The sets and lighting and cinematography (by Günther Rittau, who also worked on Metropolis and The Blue Angel) are all outstanding, with more than a hint of the dark urban pleasures of film noir to come.

Last night, I met up with [livejournal.com profile] akirlu and [livejournal.com profile] libertango to see the second film in the series, The White Hell of Pitz Palu (Die Weiße Hölle vom Piz Palü), which is apparently the pinnacle -- nay, the very peak -- of the strange German genre of the mountain film. The movie was a strange hybrid of nature documentary, with some utterly gorgeous shots of ice crystals and ice caves and swirling, evaporating mists and cloud shadows racing over brilliant fields of snow, mixed with a soapy tale of hubris, the humbling power of Mother Nature, redemption through self-sacrifice, and with an unarticulated love triangle for spice. There was something truly weird about the whole project that I found quite compelling despite the longueurs of the so-called narrative. ("I thought it was only 90 minutes long," Hal protested when we were told it would run just over two hours.) Not the least weird was Leni Riefenstahl, who plays the glamorous tom-boy girlfriend of a feckless man, all the while casting hot looks at the manly but suicidal Gustav Diessl (who played Jack the Ripper in another -- much better -- German film from 1929, Pandora's Box). What strange ecstasies she experiences in this film, asking one man to give his life for another while tears freeze in a crystal mask on her face.

Riefenstahl's directoral debut, before she went on to make propaganda for the Nazis, was another mountain film called The Blue Light (1932), in which she also played the lead. IMDb says: "Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch ..."

Well, if the shoe fits ...

Burn her!
randy_byers: (Default)
This 1960 film adaptation of Stanislaw Lem's 1951 novel, The Astronauts, was a co-production by East Germany and Poland. A re-edited, re-dubbed version was released in North America in 1962 as First Spaceship on Venus. I've seen that version too, but need to watch it again now that I've seen the original.

The story: An artifact found in the desert turns out to be a recorded message from the planet Venus that was left by an exploratory spaceship that crashed, causing the Tunguska explosion in 1908. A multinational team is assembled to go to Venus to look for the civilization that sent it. Strangely, Venus does not reply to radio messages. When the team reaches Venus, they find out why.

Find out why you should watch ... )

Profile

randy_byers: (Default)
randy_byers

September 2017

S M T W T F S
     12
3456789
10 111213141516
17181920212223
24252627282930

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 24th, 2025 10:26 pm
Powered by Dreamwidth Studios